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At first glance, it looks like a charming piece of ceramic art: a casual fisherman or an emperor in miniature diorama. You can see birds fluttering in his works.. Feather artAccording to Chris Maynard, scissors and scalpels are not just meant for surgeries, but also for carving images out of feathers. In Chris’ words, he keeps the birds alive through these shed feathers. Last year she decided to start giving them away and Adil brought back several of these from Bombay to Auroville. He doesn’t paint on feathers. You can see birds fluttering in his works.Plastic graffitiWhere can you paint? In fact, you can do it anywhere you want. The texture that comes out of using clay in paint on canvas, is highly tactile and brings the two mediums I like to work with clay and paint together,Adil adds. He uses them in his current works. In Chris’ words, he keeps the birds alive through these shed feathers. “I like the colours I get on canvas with acrylic paint, which I cannot get in fired clay. And he calls the technique Cellograffiti. It’s only after you spot rugged clay, ceramic grog and swathes of glaze that you realise what’s going on. Whatever you see in his images are shades on the feathers.
He is also planning to stage a solo show of his art works in Bengaluru in early 2019. He calls this process as painting with unfired clay. He uses scissors and scalpels to cut the feathers. Also, feathers signify scaling heights. A graffiti and contemporary artist, he sprays colours on a wrap that is tied between two trees. Made using real feathers, each piece is backed with transparent elements to keep it sturdy. Also, feathers signify scaling heights. He doesn’t paint on feathers.Plastic graffitiAccording to Chris Maynard, scissors and scalpels are not just meant for surgeries, but also for carving images out of feathers. Made using real feathers, each piece is backed with transparent elements to keep it sturdy. He uses scissors and scalpels to cut the feathers. So, they also symbolise hope and transformation. Whatever you see in his images are shades on the feathers. “I take small segments and parts of these sculptures and I weave a story out of them, building up on the found objects and weaving ceramic tales!” The large barcode, titled the Transformation Series, that he recently showed at the UB City Mall at Art Bengaluru, was a set of 21 objects, each nearly seven feet tall, spanning twenty feet across, forming an imaginary barcode. Adil will be exhibiting his recent soda-fired ceramic tableaux, Bovine Vigilante and Emperor’s New Suit, at Gallery Art and Soul, at a group show Animal, Planet, curated by Shayonti Salvi, opening in Bombay on January 12. Bovine VigilanteHe is now realising his dream of a Storybook in Clay at his studio Mandala Pottery in Auroville. He changes the location according to the mood of the image.
These tableaux, or sometimes abstract coloured porcelain pieces, with their meticulously detailed textures and finishes may look like innocent clay exhibits. That seems to be the motto of Russian artist Evgeny Ches, who recently painted animals on plastic wraps against the backdrop of forests.“I feel sorry for the paintings that are destined to spend their lifetime as canvases hung RIGID PVC FLOCKING SHEET FOR THEROFORMING on a wall,’’ he says. The artist and architect Adil Writer creates art that humanises the life and stories that are usually constrained to the colours on a canvas hung on a wall.Adil did not just chance upon the idea of blending ceramics, clay and colours. He has participated in two shows in Bengaluru. Born to an avid traveler and artist who specialised in oil paintings, his mother Piloo used to carry back home, ceramic pieces from all over the world. So, they also symbolise hope and transformation.
He is also planning to stage a solo show of his art works in Bengaluru in early 2019. He calls this process as painting with unfired clay. He uses scissors and scalpels to cut the feathers. Also, feathers signify scaling heights. A graffiti and contemporary artist, he sprays colours on a wrap that is tied between two trees. Made using real feathers, each piece is backed with transparent elements to keep it sturdy. Also, feathers signify scaling heights. He doesn’t paint on feathers.Plastic graffitiAccording to Chris Maynard, scissors and scalpels are not just meant for surgeries, but also for carving images out of feathers. Made using real feathers, each piece is backed with transparent elements to keep it sturdy. He uses scissors and scalpels to cut the feathers. So, they also symbolise hope and transformation. Whatever you see in his images are shades on the feathers. “I take small segments and parts of these sculptures and I weave a story out of them, building up on the found objects and weaving ceramic tales!” The large barcode, titled the Transformation Series, that he recently showed at the UB City Mall at Art Bengaluru, was a set of 21 objects, each nearly seven feet tall, spanning twenty feet across, forming an imaginary barcode. Adil will be exhibiting his recent soda-fired ceramic tableaux, Bovine Vigilante and Emperor’s New Suit, at Gallery Art and Soul, at a group show Animal, Planet, curated by Shayonti Salvi, opening in Bombay on January 12. Bovine VigilanteHe is now realising his dream of a Storybook in Clay at his studio Mandala Pottery in Auroville. He changes the location according to the mood of the image.
These tableaux, or sometimes abstract coloured porcelain pieces, with their meticulously detailed textures and finishes may look like innocent clay exhibits. That seems to be the motto of Russian artist Evgeny Ches, who recently painted animals on plastic wraps against the backdrop of forests.“I feel sorry for the paintings that are destined to spend their lifetime as canvases hung RIGID PVC FLOCKING SHEET FOR THEROFORMING on a wall,’’ he says. The artist and architect Adil Writer creates art that humanises the life and stories that are usually constrained to the colours on a canvas hung on a wall.Adil did not just chance upon the idea of blending ceramics, clay and colours. He has participated in two shows in Bengaluru. Born to an avid traveler and artist who specialised in oil paintings, his mother Piloo used to carry back home, ceramic pieces from all over the world. So, they also symbolise hope and transformation.